CD cover for a disco/funk single about meeting a girl in a disco.
The retro aesthetic resembles the one from the 70s and 80s album covers: the psychedelic balloon typography, the saturated colors, the model pose, etc.
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Clandestine advertising campaign for hell. In other words, a project with the aim of encouraging the greatest number of people to commit sins so that, when they die, their souls go to the underworld.
It is the result of taking the key concepts of hell, such as darkness and blood, and turning them into something tempting and readable (advertising). For that, I chose a minimalistic, modern, almost gaming aesthetic, as this was supposed to be a worldwide campaign that could be passed around clandestinely, almost like an entertainment.
The seven deadly sins were the main focus. After all, they are the ones that will take you to hell and are the connection between the earthly world and hell. They were represented using color (in a black background), for its strong relation to emotions.
This is my Graphic Design Final Master.
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This infographic compares the 10 highest-grossing and highest-rated films of the 21st century.
The chosen categories were: genre, average grade, average budget, average grossing and origin.
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This project tries to represent different concepts related to the city of Venice through three different graphic approaches.
First, a coloured bottle that goes through its history: the golden past (richness, opulence), the red present (romanticism, passion) and the black future (which hides the collapse of the city).
Second, a photo album of a sinking Venice using a red duotone as if the city was bleeding.
Finally, two connected posters using only typography. One to praise the city (the disorder within the order) and the other one to critique it (the future collapse).
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Due to its uniqueness and how it stands out in the arid environment, the Far Fangar is one of the architectural and landscape symbols of the Delta de l'Ebre.
This graphic identity is based on the light and repetition of its projection at intervals, every 12 seconds.

This project is a redesign of the existing Barcelona neighbourhood magazine "De Cap a Peus", reporting on what happens in Sant Andreu de Palomar since 1980.
The principal referents were newspapers, as it's an austere publication, condensed fonts, vertical layouts and duotones. In this case, I used the neighbourhood emblem colors.
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